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53 Shakespearean Insults That Still Sting Today

Updated on Mar. 14, 2025

When it comes to snide remarks, epic clapbacks and haunting taunts, nothing beats a Shakespearean insult

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Shakespeare’s most cutting insults

Shakespeare may have a lot to say about love, but he also had no lack of words when it comes to a serious clapback. The man loved snappy banter and wicked wisecracks so much that his plays are a master class in veiled and blatant insults. Not only are there a lot of words Shakespeare invented, but Shakespearean insults string them together to deliver the biggest blows.

For example, how would you like to be told your brain “is as dry as the remainder biscuit after a voyage” (As You Like It, Act 2, Scene 7)? Or have someone call you a “pernicious and indubitate beggar” (Love’s Labor’s Lost, Act 4, Scene 1)? We sorted through our favorites of Shakespeare’s 38 plays and made a list for you of his sickest burns. Start memorizing these fun gibes to throw around casually, snarky barbs to hurl in a heated argument, witty cracks for all your office drama and devastating slams for any bad romance.

So if you’ve been searching through the best books for perfectly cutting insults, snappy comebacks and deliciously dry, slap-in-the-face retorts, Shakespeare has it covered—and so do we.

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Shakespearean insults for any occasion

1. “Goats and monkeys!” —Othello, Act 4, Scene 1

2. “[You are] duller than a great thaw.” —Much Ado About Nothing, Act 2, Scene 1

3. “The lady bade take away the fool. Therefore, I say again, take her away.” —Twelfth Night, Act 1, Scene 5

4. “Neighbors, you are tedious. ” —Much Ado About Nothing, Act 3, Scene 5

5. “He’s a man of wax.” —Romeo and Juliet, Act 1, Scene 3

6. “Observe him, for the love of mockery.” —Twelfth Night, Act 2, Scene 5

7. “Villain, I have done thy mother.” —Titus Andronicus, Act 4, Scene 2

8. “[You are] pigeon-livered and lack gall.” —Hamlet, Act 2, Scene 2

9. “[C]orruptor of words.” —Twelfth Night, Act 3, Scene 1

10. “You have such a February face, so full of frost, of storm, and cloudiness.” —Much Ado About Nothing, Act 5, Scene 4

11. “What an ass.” —Hamlet, Act 2, Scene 2

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Shakespearean insults to hurl in heated arguments

12. “[D]rop into the rotten mouth of death.” —Richard III, Act 4, Scene 4

13. “[You] peevish baggage.” —Pericles, Act 4, Scene 6

14. “[You are] an ass-head, and a coxcomb, and a knave, a thin-faced knave, a gull.” —Twelfth Night, Act 5, Scene 1

15. “I’ll pray a thousand prayers for thy death, No word to save thee.” —Measure for Measure, Act 3, Scene 1

16. “Ungracious wretch, Fit for the mountains and the barbarous caves, Where manners ne’er were preached! Out of my sight!” —Twelfth Night, Act 4, Scene 1

17. “You are not worth another word; else I’d call you knave.” —All’s Well That Ends Well, Act 2, Scene 3

18. “[You] rough rugheaded kern, Which live like venom.” —Richard II, Act 2, Scene 1

19. “A coward, a most devout coward, religious in it.” —Twelfth Night, Act 3, Scene 4

20. “Out of my sight! Thou dost infect mine eyes.” —Richard III, Act 1, Scene 2

21. “My cousin’s a fool, and thou art another.” —Much Ado About Nothing, Act 3, Scene 4

22. “[P]oisonous bunch-backed toad.” —Richard III, Act 1, Scene 3

23. “Bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain!” —Hamlet, Act 2, Scene 2

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Shakespearean insults for workplace drama

24. “Fie, what a slug is [he].” —Richard III, Act 3, Scene 1

25. “Are his wits safe? Is he not light of brain?” —Othello, Act 4, Scene 1

26. “And thou unfit for any place but hell.” —Richard III, Act 1, Scene 2

27. “A knot you are of damned bloodsuckers.” —Richard III, Act 3, Scene 3

28.”Hath the fellow any wit that told you this?” —Much Ado About Nothing, Act 1, Scene 2

29. “If thy offenses were upon record, Would it not shame thee in so fair a troop to read a lecture of them?” —Richard II, Act 4, Scene 1

30. “You rise to play, and go to bed to work.” —Othello, Act 2, Scene 1

31. “Come, you are a tedious fool. To the purpose.” —Measure for Measure, Act 2, Scene 1

32. “Only to despite them will I endeavor anything.” —Much Ado About Nothing, Act 2, Scene 2

33. “[B]oys, with women’s voices, strive to speak big.” —Richard II, Act 3, Scene 2

34. “Have you no wit, manners, nor honesty, but to gabble like tinkers at this time of night?” —Twelfth Night, Act 2, Scene 3

35. “I am sorry for thy much misgovernment.” —Much Ado About Nothing, Act 4, Scene 1

36. “That’s somewhat madly spoken.” —Measure for Measure, Act 5, Scene 1

37. “[H]e has not so much brain as earwax.” —Troilus and Cressida, Act 5, Scene 1

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Shakespearean insults for a bad romance

38. “You kiss by th’ book.” —Romeo and Juliet, Act 1, Scene 5

39. “I have purchased many diseases under her roof.” —Measure for Measure, Act 1, Scene 2

40. “There’s small choice in rotten apples.” —The Taming of the Shrew, Act 1, Scene 1

41. “Beautiful tyrant, fiend angelical! Dove-feather’d raven, wolvish-ravening lamb!” —Romeo and Juliet, Act 3, Scene 2

42. “Marrying a punk, my lord, is pressing to death, whipping, and hanging.” —Measure for Measure, Act 5, Scene 1

43. “[You are] an index and obscure prologue to the history of lust and foul thoughts.” —Othello, Act 2, Scene 1

44. “[You are] a very superficial, ignorant, unweighing fellow.” —Measure for Measure, Act 3, Scene 2

45. “She speaks, yet she says nothing.” —Romeo and Juliet, Act 2, Scene 2

46. “Live you the marble-breasted tyrant still.” —Twelfth Night, Act 5, Scene 1

47. “Being no other but as she is, I do not like her.” —Much Ado About Nothing, Act 1, Scene 1

48. “He’s more, had I more name for badness.” —Measure for Measure, Act 5, Scene 1

49. “Lady, you are the cruel’st she alive.” —Twelfth Night, Act 1, Scene 5

50. “I see, lady, the gentleman is not in your books. No, and he were, I would burn my study.” —Much Ado About Nothing, Act 1, Scene 1

51. “Away, you three-inch fool.” —The Taming of the Shrew, Act 4, Scene 1

52. “I do desire that we may be better strangers.” —As You Like It, Act 3, Scene 2

53. “Heaven truly knows that thou art false as hell.” —Othello, Act 4, Scene 2

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